On September 11, OVO Arena Wembley was filled with MIDZY as ITZY brought their TUNNEL VISION tour to London, marking a particularly special occasion for the group as their first European tour with all five members.

The concert opened with a short VCR featuring “Focus” before ITZY emerged onto the stage with “TUNNEL VISION”, the title track of both their tour and one of their latest releases. It was an immediate introduction to the scale of the production, with striking visuals and choreography setting the tone for the night.

One of the first things that stood out throughout the concert was just how cohesive the production was. The stage design, enormous screens, lighting, styling and use of backup dancers all worked together to create something genuinely mesmerising. Each performance felt carefully constructed, with the visual elements adding another layer. 

“Walk” was one of the early highlights, with its choreography. ITZY’s precision and sharpness were on full display, with the members commanding the stage. The energy only grew when the opening notes of “WANNABE” played across the arena.

The reaction from the London crowd was immediate. “WANNABE” remains one of ITZY’s most recognisable songs, and hearing an entire arena erupt as fans sang along to every word was something special. Its instantly recognisable choreography translated perfectly to the live stage, making the performance feel both nostalgic and electrifying. For many fans, it was a reminder of just how much of an impact the song has had since its release.

The atmosphere shifted beautifully for “IMAGINARY FRIEND”, which offered one of the show’s more delicate moments. The members performed alongside the backup dancers with an elegance that allowed the song’s softer qualities to shine. This was followed by “MOTTO”, bringing the energy back up with a fun and lively performance.

Then came a series of stages that allowed each member to take the spotlight individually.

Lia opened the solo section with “Asylum”, performing against a dreamy set. Positioned on a cloud-like platform, she created an ethereal image as she delivered a vocal-focused performance.

Yuna followed with “Tangerine”, bringing a completely different atmosphere to the stage. The performance was bright, playful and filled with confetti.

Yeji’s “Pocket” shifted the mood once again. Her performance was more intense and sharply choreographed, showcasing the stage presence that she has become known for.

Chaeryeong then took the stage with “Undefined”, delivering one of the show’s confident and captivating solo performances. There was a distinct sense of attitude to the performance, with her movements and expressions giving the stage a completely different energy.

Ryujin followed with “LOOK”, continuing that confident and charismatic atmosphere. Her performance was equally sharp and full of personality, showing the contrast between the different solo stages. Each member was given the opportunity to create a performance that felt distinctly their own, while the dancers and production helped bring each individual concept to life.

When ITZY reunited as a group for “GOLD”, the stage exploded into another spectacle of lights, sparks, fireworks and confetti where the scale of the production became impossible to ignore.

The group then continued with “Wild Wild West”, featuring a stage setup that once again demonstrated just how much thought had gone into the show’s visual direction. Between the changing sets, choreography, lighting and dancers, there was always something happening on stage.

The concert then entered a particularly nostalgic stretch of the setlist, beginning with “In The Morning”. The crowd’s reaction was enormous, with fans loudly singing along to every lyric. “THAT’S A NO NO” followed, making use of an elevated platform and giving the audience another opportunity to see one of ITZY’s iconic performances.

The show also made sure to keep the audience involved beyond simply singing along. During one of the outfit changes, a dance cam appeared on the screens, turning its attention towards different members of the crowd and encouraging them to dance along to the music. It was an effective way of making the audience feel involved in the concert.

As the night approached its final stretch, ITZY returned to the stage for “Not Shy” and “LOCO”. The response from the crowd was once again deafening. Both songs have become staples of ITZY’s discography, and hearing them performed live in an arena packed with fans acted as a reminder of just how many instantly recognisable songs the group have built throughout their career.

The encore brought another change of pace, with “Mirror”, “FIVE”, “8-BIT HEART”, “SNEAKERS” and “CAKE” with the members returning to the stage with a more relaxed energy. The performances still carried the same polish as the main set, but there was a noticeably more celebratory atmosphere as the night drew towards its conclusion.

And then came the song the London crowd had clearly been waiting for.

The opening of “DALLA DALLA” sent another wave of excitement through the arena. As ITZY’s debut single, it felt like the perfect way to close the night. It brought the concert full circle, celebrating the song that started the journey that had led them to this moment. The members took time to interact with the audience throughout the performance, making the finale feel personal despite the scale of the arena. At one point Ryujin brought a huge inflatable lightstick up from the crowd, adding an especially memorable moment to the closing performance.

After a night packed with striking visuals, powerful choreography, individual performances and some of ITZY’s most loved songs, the final moments of “DALLA DALLA” felt like the perfect ending.

Most importantly, having all five members together for their European tour made the night feel particularly significant. From the nostalgia of “WANNABE” to the individuality of the solo stages, the London show highlighted the different sides of ITZY while celebrating the music that has shaped their career, creating a stage that was impossible to look away from.